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Dragon: The Bruce Lee Story is a 1993 American biographicaldrama film directed by Rob Cohen. The film stars Jason Scott Lee, with a supporting cast including Lauren Holly, Nancy Kwan, and Robert Wagner. The film follows the life of actor and martial artist Bruce Lee (Jason) from his relocation to the United States from Hong Kong to his career as a martial arts teacher, and then as a television and film actor. It also focuses on the relationship between Bruce and his wife Linda, and the racism to which Bruce was subjected.
The primary source of the screenplay is Cadwell's 1975 biography Bruce Lee: The Man Only I Knew. Other sources include Robert Clouse's book Bruce Lee: The Biography and research by Cohen, including interviews with Cadwell and Bruce's son, Brandon Lee. Rather than a traditional biographical film, Cohen decided to include elements of mysticism and to dramatise fight scenes to give it the same tone as the films in which Bruce starred. Dragon was filmed primarily in Hong Kong, Los Angeles and San Francisco. (Full article...)
The Ming dynasty's founder, the Hongwu Emperor (r. 1368–1398), attempted to create a society of self-sufficient rural communities ordered in a rigid, immobile system that would guarantee and support a permanent class of soldiers for his dynasty: the empire's standing army exceeded one million troops and the navy's dockyards in Nanjing were the largest in the world. He also took great care breaking the power of the court eunuchs and unrelated magnates, enfeoffing his many sons throughout China and attempting to guide these princes through the Huang-Ming Zuxun, a set of published dynastic instructions. This failed when his teenage successor, the Jianwen Emperor, attempted to curtail his uncle's power, prompting the Jingnan campaign, an uprising that placed the Prince of Yan upon the throne as the Yongle Emperor in 1402. The Yongle Emperor established Yan as a secondary capital and renamed it Beijing, constructed the Forbidden City, and restored the Grand Canal and the primacy of the imperial examinations in official appointments. He rewarded his eunuch supporters and employed them as a counterweight against the Confucian scholar-bureaucrats. One eunuch, Zheng He, led seven enormous voyages of exploration into the Indian Ocean as far as Arabia and the eastern coasts of Africa. Hongwu and Yongle emperors had also expanded the empire's rule into Inner Asia. (Full article...)
After the Chinese Communist Revolution, the Party sought to memorialize their achievements through artworks. Dong was commissioned to create a visual representation of the October 1 ceremony, which he had attended. He viewed it as essential that the painting show both the people and their leaders. After working for three months, he completed an oil painting in a folk art style, drawing upon Chinese art history for the contemporary subject. The success of the painting was assured when Mao viewed it and liked it, and it was reproduced in large numbers for display in the home. (Full article...)
From 1643 to 1650, political power lay mostly in the hands of the prince regent Dorgon. Under his leadership, the Qing conquered most of the territory of the fallen Ming dynasty, chased Ming loyalist regimes deep into the southwestern provinces, and established the basis of Qing rule over China proper despite highly unpopular policies such as the "hair cutting command" of 1645, which forced all Qing male subjects to shave their forehead and braid their remaining hair into a queue resembling that of the Manchus. After Dorgon's death on the last day of 1650, the young Shunzhi Emperor started to rule personally. He tried, with mixed success, to fight corruption and to reduce the political influence of the Manchu nobility. In the 1650s, he faced a resurgence of Ming loyalist resistance, but by 1661 his armies had defeated the Qing's last enemies, Koxinga and the Prince of Gui, both of whom would succumb the following year. (Full article...)
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Engravings on a cliff-side near a widely accepted candidate site for the battlefield, in the vicinity of Chibi, Hubei. The engravings are at least 1000 years old, and include the Chinese characters 赤壁 ('red cliffs') written from right to left.
The Battle of Red Cliffs, also known as the Battle of Chibi, was a decisive naval battle in China that took place during the winter of AD 208–209. It was fought on the Yangtze River between the forces of warlords controlling different parts of the country during the end of the Han dynasty. The allied forces of Sun Quan, Liu Bei, and Liu Qi based south of the Yangtze defeated the numerically superior forces of the northern warlord Cao Cao. By doing so, Liu Bei and Sun Quan prevented Cao Cao from conquering any lands south of the Yangtze, frustrating Cao Cao's efforts to reunify the territories formerly held by the Eastern Han dynasty.
The allied victory at Red Cliffs ensured the survival of Liu Bei and Sun Quan and left them in control of the Yangtze, establishing defensible frontiers that would later serve as the basis for the states of Shu Han and Eastern Wu during the Three Kingdoms period (220–280). Historians have arrived at different conclusions in their attempts to reconstruct the timeline of events at Red Cliffs. The location of the battlefield itself remains a subject of debate: most scholars consider either a location southwest of present-day Wuhan, or a location northeast of Baqiu in present-day Yueyang, Hunan as plausible candidate sites for the battle. The battle has been the subject of or influenced numerous poems, dramas, movies and games. (Full article...)
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United States v. Wong Kim Ark, 169 U.S. 649 (1898), was a landmark decision of the U.S. Supreme Court which held that "a child born in the United States, of parents of Chinese descent, who, at the time of his birth, are subjects of the Emperor of China, but have a permanent domicile and residence in the United States, and are there carrying on business, and are not employed in any diplomatic or official capacity under the Emperor of China", automatically became a U.S. citizen at birth. This decision established an important precedent in its interpretation of the Citizenship Clause of the Fourteenth Amendment to the Constitution.
Wong Kim Ark, who was born in San Francisco in 1873, had been denied re-entry to the United States after a trip abroad, under the Chinese Exclusion Act, a law banning virtually all Chinese immigration and prohibiting Chinese immigrants from becoming naturalized U.S. citizens. He challenged the government's refusal to recognize his citizenship, and the Supreme Court ruled in his favor, holding that the citizenship language in the Fourteenth Amendment encompassed the circumstances of his birth and could not be limited in its effect by an act of Congress. (Full article...)
Between the Roman Empire and the Han dynasty, as well as between the later Eastern Roman Empire and various successive Chinese dynasties, there were (primarily indirect) contacts and flows of trade goods, information, and occasional travelers between. These empires inched progressively closer to each other in the course of the Roman expansion into ancient Western Asia and of the simultaneous Han military incursionsinto Central Asia. Mutual awareness remained low, and firm knowledge about each other was limited. Surviving records document only a few attempts at direct contact. Intermediate empires such as the Parthians and Kushans, seeking to maintain control over the lucrative silk trade, inhibited direct contact between the two ancient Eurasian powers. In 97 AD, the Chinese general Ban Chao tried to send his envoy Gan Ying to Rome, but Parthians dissuaded Gan from venturing beyond the Persian Gulf. Ancient Chinese historians recorded several alleged Roman emissaries to China. The first one on record, supposedly either from the Roman emperor Antoninus Pius or from his adopted son Marcus Aurelius, arrived in 166 AD. Others are recorded as arriving in 226 and 284 AD, followed by a long hiatus until the first recorded Byzantine embassy in 643 AD.
The indirect exchange of goods on land along the Silk Road and sea routes involved (for example) Chinese silk, Roman glassware and high-quality cloth. Roman coins minted from the 1st century AD onwards have been found in China, as well as a coin of Maximian (Roman emperor from 286 to 305 AD) and medallions from the reigns of Antoninus Pius (r. 138–161 AD) and Marcus Aurelius (r. 161–180 AD) in Jiaozhi (in present-day Vietnam), the same region at which Chinese sources claim the Romans first landed. Roman glassware and silverware have been discovered at Chinese archaeological sites dated to the Han period (202 BC to 220 AD). Roman coins and glass beads have also been found in the Japanese archipelago. (Full article...)
Set in the People's Republic of China during the 1990s, the film centers on a 13-year-old substitute teacher, Wei Minzhi, in the Chinese countryside. Called in to substitute for a village teacher for one month, Wei is told not to lose any students. When one of the boys takes off in search of work in the big city, she goes looking for him. The film addresses education reform in China, the economic gap between urban and rural populations, and the prevalence of bureaucracy and authority figures in everyday life. It is filmed in a neorealist/documentary style with a troupe of non-professional actors who play characters with the same names and occupations as the actors have in real life, blurring the boundaries between drama and reality. (Full article...)
Hu lived in Nanjing during the transition from the Ming dynasty to the Qing dynasty. A Ming loyalist, he was offered a position at the rump court of the Hongguang Emperor, but declined the post, and never held anything more than minor political office. He did, however, design the Hongguang Emperor's personal seal, and his loyalty to the dynasty was such that he largely retired from society after the emperor's capture and death in 1645. He owned and operated an academic publishing house called the Ten Bamboo Studio, in which he practised various multi-colour printing and embossing techniques, and he employed several members of his family in this enterprise. Hu's work at the Ten Bamboo Studio pioneered new techniques in colour printmaking, leading to delicate gradations of colour which were not previously achievable in this art form. (Full article...)
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Choe Bu (Korean: 최부, 1454–1504) was a Korean diarist, historian, politician, and travel writer during the early Joseon Dynasty. He was most well known for the account of his shipwrecked travels in China from February to July 1488, during the Ming dynasty (1368–1644). He was eventually banished from the Joseon court in 1498 and executed in 1504 during two political purges. However, in 1506 he was exonerated and given posthumous honors by the Joseon court.
Choe's diary accounts of his travels in China became widely printed during the 16th century in both Korea and Japan. Modern historians also refer to his written works, since his travel diary provides a unique outsider's perspective on Chinese culture in the 15th century. The attitudes and opinions expressed in his writing represent in part the standpoints and views of the 15th century Confucian Korean literati, who viewed Chinese culture as compatible with and similar to their own. His description of cities, people, customs, cuisines, and maritime commerce along China's Grand Canal provides insight into the daily life of China and how it differed between northern and southern China during the 15th century. (Full article...)
The economy of the Han dynasty (206 BC – 220 AD) of ancient China experienced upward and downward movements in its economic cycle, periods of economic prosperity and decline. It is normally divided into three periods: Western Han (206 BC – 9 AD), the Xin dynasty (9–23 AD), and Eastern Han (25–220 AD). The Xin regime, established by the former regent Wang Mang, formed a brief interregnum between lengthy periods of Han rule. Following the fall of Wang Mang, the Han capital was moved eastward from Chang'an to Luoyang. In consequence, historians have named the succeeding eras Western Han and Eastern Han respectively.
The Han economy was defined by significant population growth, increasing urbanization, unprecedented growth of industry and trade, and government experimentation with nationalization. Another large component of the government is that it was run by influential families who had the most money. In this era, the levels of minting and circulation of coin currency grew significantly, forming the foundation of a stable monetary system. The Silk Road facilitated the establishment of trade and tributary exchanges with foreign countries across Eurasia, many of which were previously unknown to the people of ancient China. The imperial capitals of both Western Han (Chang'an) and Eastern Han (Luoyang) were among the largest cities in the world at the time, in both population and area. Here, government workshops manufactured furnishings for the palaces of the emperor and produced goods for the common people. The government oversaw the construction of roads and bridges, which facilitated official government business and encouraged commercial growth. Under Han rule, industrialists, wholesalers, and merchants—from minor shopkeepers to wealthy businessmen—could engage in a wide range of enterprises and trade in the domestic, public, and even military spheres. (Full article...)
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The Sakyamuni Buddha, by Song painter Zhang Shengwen, c. AD 1181–1186; although Buddhism was in decline and under attack by Neo-Confucian critics in the Song era, it nonetheless remained one of the major religious ideologies in China.
Chinese society during the Song dynasty (AD 960–1279) was marked by political and legal reforms, a philosophical revival of Confucianism, and the development of cities beyond administrative purposes into centers of trade, industry, and maritime commerce. The inhabitants of rural areas were mostly farmers, although some were also hunters, fishers, or government employees working in mines or the salt marshes. Conversely, shopkeepers, artisans, city guards, entertainers, laborers, and wealthy merchants lived in the county and provincial centers along with the Chinese gentry—a small, elite community of educated scholars and scholar-officials. As landholders and drafted government officials, the gentry considered themselves the leading members of society; gaining their cooperation and employment was essential for the county or provincial bureaucrat overburdened with official duties. In many ways, scholar-officials of the Song period differed from the more aristocratic scholar-officials of the Tang dynasty (618–907). Civil service examinations became the primary means of appointment to an official post as competitors vying for official degrees dramatically increased. Frequent disagreements amongst ministers of state on ideological and policy issues led to political strife and the rise of political factions. This undermined the marriage strategies of the professional elite, which broke apart as a social group and gave way to a multitude of families that provided sons for civil service.
Confucian or Legalist scholars in ancient China—perhaps as far back as the late Zhou dynasty (c. 1046–256 BC)—categorized all socioeconomic groups into four broad and hierarchical occupations (in descending order): the shi (scholars, or gentry), the nong (peasant farmers), the gong (artisans and craftsmen), and the shang (merchants). Wealthy landholders and officials possessed the resources to better prepare their sons for the civil service examinations, yet they were often rivaled in their power and wealth by merchants of the Song period. Merchants frequently colluded commercially and politically with officials, despite the fact that scholar-officials looked down on mercantile vocations as less respectable pursuits than farming or craftsmanship. The military also provided a means for advancement in Song society for those who became officers, even though soldiers were not highly respected members of society. Although certain domestic and familial duties were expected of women in Song society, they nonetheless enjoyed a wide range of social and legal rights in an otherwise patriarchal society. Women's improved rights to property came gradually with the increasing value of dowries offered by brides' families. (Full article...)
Both in its lyrics and instruments, the song mixes traditional Chinese styles with modern rock elements. In the lyrics, the speaker addresses a girl who is scorning him because he has nothing. However, the song has also been interpreted as being about the dispossessed youth of the time, because it evokes a sense of disillusionment and lack of individual freedom that was common among the young generation during the 1980s. (Full article...)
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Peking opera in Shanghai, 2014
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
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Beato c. 1866
Felice Beato (c. 1832 – 29 January 1909), also known as Felix Beato, was an Italian–British photographer. He was one of the first people to take photographs in East Asia and one of the first war photographers. He is noted for his genre works, portraits, and views and panoramas of the architecture and landscapes of Asia and the Mediterranean region. Beato's travels gave him the opportunity to create images of countries, people, and events that were unfamiliar and remote to most people in Europe and North America. His work provides images of such events as the Indian Rebellion of 1857 and the Second Opium War, and represents the first substantial body of photojournalism. He influenced other photographers, and his influence in Japan, where he taught and worked with numerous other photographers and artists, was particularly deep and lasting. (Full article...)
... that the New York City-based fashion label Sandy Liang is inspired by grandmothers in Chinatown, and often features Liang's own grandmother as a model?
Chinese noodles at a noodle shop in Tuen Mun, Hong Kong
Chinese noodles vary widely according to the region of production, ingredients, shape or width, and manner of preparation. Noodles were invented in China, and are an essential ingredient and staple in Chinese cuisine. They are an important part of most regional cuisines within China, and other countries with sizable overseas Chinese populations.
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Headquarters of the ACWF
The All-China Women's Federation (ACWF) is a women's rights people's organization established in China on 24 March 1949. It was originally called the All-China Democratic Women's Foundation, and was renamed the All-China Women's Federation in 1957. It has acted as the official leader of the women's movement in China since its founding. It is responsible for promoting government policies on women, and protecting women's rights within the government, while liberating them from traditional norms within society and involving them in social revolution with the aim to promote their overall status and welfare in Chinese society. As a united political community, women in the ACWF achieved political momentum, power among the male elite, and required representation. (Full article...)
The Han dynasty (202 BCE – 220 CE) was a period of Imperial China divided into the Western Han (202 BCE – 9 CE) and Eastern Han (25–220 CE) periods, when the capital cities were located at Chang'an and Luoyang, respectively. It was founded by Emperor Gaozu of Han and briefly interrupted by the regime of Wang Mang (r. 9–23 CE) who usurped the throne from a child Han emperor.
Shu Xiuwen (1915– 17March 1969), also romanized as Shu Hsiu-wen, was a Chinese film and stage actress, as well as the first voice actress in China. She grew up in poverty but made a name for herself in the drama and film industry of Shanghai before the Second Sino-Japanese War, and then in the wartime capital Chongqing. She starred in numerous films and stage plays, including her most acclaimed film The Spring River Flows East, and was recognized as one of China's top four actresses.
The fungus can be found throughout the year in Europe, where it normally grows on wood of broadleaf trees and shrubs. Auricularia auricula-judae was used in folk medicine as recently as the 19th century for complaints including sore throats, sore eyes and jaundice, and as an astringent. It is edible but not widely consumed. (Full article...)
Foreign nationals may naturalize if they are permanent residents in any part of China or they have immediate family members who are Chinese citizens. Residents of the Taiwan Area are also considered Chinese citizens, due to the PRC's extant claim over areas controlled by the Republic of China (ROC). (Full article...)
19th-century illustration from Xiangzhu liaozhai zhiyi tuyong (Liaozhai Zhiyi with commentary and illustrations; 1886)
"The Painted Skin" (Chinese: 畫皮; pinyin: Huàpí) is a short story by the Chinese writer Pu Songling collected in Strange Tales from a Chinese Studio in 1740. Literary critics have recognised it as one of the best and best-known entries in Strange Tales; in particular, its textual detail and in-depth characterisation are lauded. "The Painted Skin" has also received numerous adaptations in popular media, especially in film. The story's original title has become a common phrase in Chinese vocabulary, "a synonym for duplicity that wears an outwardly human face but is inwardly demonic".
Set in Shandong, the story revolves around a Chinese scholar, Wang, who becomes infatuated with a demon disguised as a beautiful young maiden. They develop a romantic relationship which goes awry after Wang discovers her true identity. Thereafter, a Taoist priest's skills are put to the task of exorcising the demon; a fight between good and evil ensues. (Full article...)
Ni has gone through multiple arrests, three prison sentences, and torture following her human rights cases against the Chinese government. Her license to practice law was later revoked by Chinese authorities. (Full article...)
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A map of the campaigns against the oasis states of the Tarim Basin, including the defeat of Kucha
Written Chinese is a writing system that uses Chinese characters and other symbols to represent the Chinese languages. Chinese characters do not directly represent pronunciation, unlike letters in an alphabet or syllabograms in a syllabary. Rather, the writing system is morphosyllabic: characters are one spoken syllable in length, but generally correspond to morphemes in the language, which may either be independent words, or part of a polysyllabic word. Most characters are constructed from smaller components that may reflect the character's meaning or pronunciation. Literacy requires the memorization of thousands of characters; college-educated Chinese speakers know approximately 4,000. This has led in part to the adoption of complementary transliteration systems (generally Pinyin) as a means of representing the pronunciation of Chinese.
Chinese writing is first attested during the late Shang dynasty (c. 1250 – c. 1050 BCE), but the process of creating characters is thought to have begun centuries earlier during the Late Neolithic and early Bronze Age (c. 2500–2000 BCE).[1] After a period of variation and evolution, Chinese characters were standardized under the Qin dynasty (221–206 BCE). Over the millennia, these characters have evolved into well-developed styles of Chinese calligraphy. As the varieties of Chinese diverged, a situation of diglossia developed, with speakers of mutually unintelligible varieties able to communicate through writing using Literary Chinese. In the early 20th century, Literary Chinese was replaced in large part with written vernacular Chinese, largely corresponding to Standard Chinese, a form based on the Beijing dialect of Mandarin. Although most other varieties of Chinese are not written, there are traditions of written Cantonese, written Shanghainese and written Hokkien, among others. (Full article...)
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Casts of the teeth of Yuanmou Man
Yuanmou Man (simplified Chinese: 元谋人; traditional Chinese: 元謀人; pinyin: Yuánmóu Rén, Homo erectus yuanmouensis) is a subspecies of H. erectus which inhabited the Yuanmou Basin in Yunnan Province, southwestern China, roughly 1.7 million years ago. It is the first fossil evidence of humans in China, though they probably reached the region by at least 2 million years ago. Yuanmou Man is known only from two upper first incisors presumed to have belonged to a male, and a partial tibia presumed to have belonged to a female. The female may have stood about 123.6–130.4 cm (4 ft 1 in – 4 ft 3 in) in life. These remains are anatomically quite similar to those contemporary early Homo in Africa, namely H. habilis and H. (e?) ergaster.
Yuanmou Man inhabited a mixed environment featuring grassland, bushland, marshland, and forest dominated by pine and alder. They lived alongside chalicotheres, deer, the elephant Stegodon, rhinos, cattle, pigs, and the giant short-faced hyaena. The site currently sits at an elevation of 1,050–1,150 m (3,440–3,770 ft). They manufactured simple cores, flakes, choppers, pointed tools, and scrapers which paralleled the technology of their African contemporaries. (Full article...)
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The 2019 Shanghai Masters was a professional non-ranking snooker tournament that took place at the Regal International East Asia Hotel in Shanghai, China from 9 to 15 September 2019. It was the 12th edition of the Shanghai Masters, which was first held in 2007. Ronnie O'Sullivan was the defending champion, having defeated Barry Hawkins 11–9 in the 2018 final, and also having won the tournament in 2017. O'Sullivan successfully defended his title for a second consecutive year, defeating Shaun Murphy 11–9 in the final. This was the third consecutive title for O'Sullivan in this tournament.
The prize fund was £751,000 with the winner receiving £200,000. The event was broadcast by Great Sports Channel, Superstars Online, Youku and Zhibo.tv in China, as well as NowTV in Hong Kong and Eurosport in Europe. (Full article...)
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Mongol Conquest of Jurchen Jin
In the Siege of Kaifeng from 1232 to 1233, the Mongol Empire captured Kaifeng, the capital of the Jurchen-led Jin dynasty. The Mongol Empire and the Jin dynasty had been at war for nearly two decades, beginning in 1211 after the Jin dynasty refused the Mongol offer to submit as a vassal. Ögedei Khan sent two armies to besiege Kaifeng, one led by himself, and the other by his brother Tolui. Command of the forces, once they converged into a single army, was given to Subutai who led the siege. The Mongols arrived at the walls of Kaifeng on April 8, 1232.
The siege deprived the city of resources, and its residents were beset with famine and disease. Jin soldiers defended the city with fire lances and bombs of gunpowder, killing many Mongols and severely injuring others. The Jin dynasty tried to arrange a peace treaty, but the assassination of a Mongol diplomat foiled their efforts. The Emperor Aizong of Jin fled the city for the town of Caizhou. The city was placed under the command of General Cui Li, who executed the emperor's loyalists and promptly surrendered to the Mongols. The Mongols entered Kaifeng on May 29, 1233, and looted the city. The dynasty fell after the suicide of Aizong and the capture of Caizhou in 1234. (Full article...)
The Chongqing model was characterized in part by increased state control and the promotion of a neo-leftist ideology. It involved a sweeping and sometimes extrajudicial campaign against organized crime, and increased the security and police presence in the city. As a means of addressing declining public morality, Bo launched a "red culture" movement to promote Maoist-era socialist ethics. On the economic front, he actively courted foreign investment and focused on manufacturing for domestic consumption. The Chongqing model was also characterized by massive public works programs, subsidized housing for the poor, and social policies intended to make it easier for rural citizens to move to the city. (Full article...)
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Red yeast rice or red rice koji is a bright reddish purple fermented rice, which acquires its color from being cultivated with the mold Monascus purpureus. Red yeast rice is what is referred to as a kōji in Japanese, meaning "grain or bean overgrown with a mold culture", a food preparation tradition going back to ca. 300 BC.
Image 32Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 40Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 45Map showing the expansion of Han dynasty in the 2nd century BC (from History of China)
Image 46Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 47Birthplaces of notable Chinese philosophers of the Hundred Schools of Thoughts in the Zhou dynasty. (from Chinese culture)
Image 48Hair Ornament, China, c. 19th century (from Chinese culture)
Image 54Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
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The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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